Finally caught up with this one based on Lustig’s recommendation of it in the interview I did with him. I can certainly say it wasn’t an easy film to track down by any means. Stacey Keach plays a (insert drum roll here - badabadbada, <- er drum sound text) traveling executioner in the early 1900’s who has a knack for calming his victims before they die with a rousing speech on “fields of ambrosia.” As far as performances go Keach nails his character here and turns in one of his most passionate performances ever. He takes an often awkward script and really elevates it. He makes each word or nuance of sing with life. The plot of the film comes to light shortly in when a female convict condemned to die comes in and tries to manipulate Keach into saving her. The rest of the film deals with the ensuing hijinks and complications of their relationship. The story gets a bit muddled and over convoluted after its strong initial setup. In this regard the film certainly loses some momentum. Thankfully with Mr. Keach’s strong performance keeping the film held together it never gets too tedious.
The ending of the film IMO can certainly be read many different ways. I’m not really sure myself what to make of it on one initial passing. I can’t help but think they must have shot multiple endings as the one I saw felt slightly forced and unsure in places. If you liked Stacey Keach in Gravy Train then you will love him in Traveling Executioner. The “fields of ambrosia” scene and speech is a classic of cinema that deserves a new audience. Really odd, quirky and flickering with hope for troubled souls film and a rousing brimming with life performance by Stacey Keach. Did I mention that Stacey Keach is really good in this film?
