**Various mild spoilers, but then again, you’ve seen A TALE OF TWO SISTERS, right?**
This will probably come as a surprise to no-one, but yea, the Tale of Two Sisters remake is pretty inferior to the sublime Korean original. Don’t get me wrong, for the most part The Uninvited is a handsomely mounted classic horror film - sweeping overhead opening, creepy-ugly ghost girls, large empty mansion - so the Guard Brothers were more interested in remaking The Shining? Maybe. But really where things are hamfisted in this reproduction (taking not only the story, but also, taking the title from a different Korean flick) is that it goes for ‘more explanation’ and far, far lest primordial texture. The ‘creepy ghost’ moments are probably the most unsatisfactory element of an otherwise restrained production. They change the signature ‘kitchen’ haunting to be on the girl (which admittedly makes more sense, but vastly wrecks the tone of that scene). Where this ‘better understandable plot’ fix helped (for the most part) Gore Verbinski’s The Ring remake, remember that that film added perhaps the 2nd creepiest moment in all of the various Ring films - the crazy horse on the ferry. The Uninvited adds a boat accident and a sheriff, but both are simply filler and clunky filler at that. Maybe because I knew the basic story (which I’d argue for the most part is not the drawing point of A Tale of Two Sisters), but a certain huge ‘Whoa’ element in the film seemed clumsy and contrived (and I have to imagine that observant first-time views who hadn’t seen Tale would notice this, the film ain’t subtle about it). And of course there had to be some explosions in the film, a ‘virginity moment, and plenty of bikinis. This is probably a culture thing, but the girls are a fair bit older in the Uninivted than in A Tale of Two sisters, and it takes some of the power away. Most offensive however, simply embarrassing, really, is the ‘wah wah wah’ name-drop ending.
Some positives include the three leads: Emily Browning, David Strathairn (who admittedly can sleep walk through this and still keep it classy) and most importantly Elizabeth Banks. She has come along way from masturbating with a shower-head in the 40-Year Old Virgin, and relishes her chance to play the passive-aggressive bitch-queen (think Marla from Fight Club, but in a triple strand of pearls), but simply lacks the quiet menace of the superb Jung-ah Yum (See below); And hen is also the big change of the way the kitchen sink is handled.
So, nobody completely embarrasses themselves here (and actually, the more I think about it, the script has a few witty ‘middle fingers’ to the tropes of the now thoroughly faded J-horror explosion while also getting a dig or two against old fashioned ‘psycho in the house’ American horror. Or maybe it is just my imagination.
vs
