
One of Japanese cinema’s supreme emulations of American noir, Takashi Nomura’s A Colt Is My Passport is a down-and-dirty but gorgeously photographed yakuza film starring Joe Shishido as a hard-boiled hit man caught between rival gangs. Featuring an incredible, spaghetti-western-style soundtrack and brimming with formal experimentation, this is Nikkatsu at its finest.

Fresh out of the slammer, Togawa (Branded to Kill’s Joe Shishido) has no chance to go straight because he is immediately coerced by a wealthy mob boss into organizing the heist of an armored car carrying racetrack receipts. After gathering together a ragtag bunch to carry out the robbery, Togawa learns that all is not what it seems in Takumi Furukawa’s thriller. Cue the double (and triple) crosses!

At the beginning of Seijun Suzuki’s taut and twisty whodunit, a prison truck is attacked and a convict inside is murdered. The penitentiary warden on duty, Daijiro (Michitaro Mizushima), is accused of negligence and suspended, only to take it upon himself to track down the killers.

Rusty Knife was the first smash for director Toshio Masuda, who would go on to become one of Japanese cinema’s major hit makers. In the film, Yujiro Ishihara and fellow top Nikkatsu star Akira Kobayashi play former hoodlums trying to leave behind a life of crime, but their past comes back to haunt them when the authorities seek them out as murder witnesses.

In Koreyoshi Kurahara’s directorial debut, rebel matinee idol Yujiro Ishihara (fresh off the sensational Crazed Fruit) stars as a former boxer working as a restaurant manager, who saves a beautiful, suicidal club hostess (Mie Kitahara) trying to escape the clutches of her gangster employer. Featuring expressionist lighting and bold camera work, this was one of Nikkatsu’s early successes.
Eclipse Series 17:
Nikkatsu Noir

